Spring Ready-to-Wear 2015

Rosie Assoulin

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Rosie Assoulin RTW Spring 2015

Rosie Assoulin RTW Spring 2015

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  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015
  • Rosie Assoulin RTW Spring 2015

Rosie Assoulin RTW Spring 2015

Eveningwear looks exuded a strong, minimalist chic, but it was her separates that were most inventive.

“I try to bring a lot of awesome things together,” said Rosie Assoulin. She wasn’t kidding, citing the work of ceramic artist Betty Woodman as an influence on her color scheme — a mix of jewel tones and soft pastels — and hats. Eveningwear looks exuded a strong, minimalist chic, but it was her separates that were most inventive. One sleeveless silk blouse, in mint green — dubbed the “Frullet,” as in a mullet in the front — featured an open back and exaggeratedly long front with side ties. Another, called “The O’Keeffe,” came in navy silk faille with layers of green and white folds of silk at the waist, like a blossoming flower. The straw hat influence was most noticeable in a tiered skirt made of straw, hemp and raffia; those materials were also used on a crop top and spaghetti-strap blouse to charming effect.

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