Spring Ready-to-Wear 2015

Hervé Léger

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Hervé Léger RTW Spring 2015

Hervé Léger RTW Spring 2015

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  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015
  • Hervé Léger RTW Spring 2015

Hervé Léger RTW Spring 2015

The onna-­bugeisha, a female samurai warrior, provided the spring inspiration for designers Max and Lubov Azria in a show that was interesting if not inventive.

The onna-­bugeisha, a female samurai warrior, provided the spring inspiration for designers Max and Lubov Azria in a show that was interesting if not inventive. It added a Japanese vibe to the line’s usual riffs on bandage looks, particularly the opening kimono-style numbers, such as the jacquard wrap top worn over a bandage dress with origami touches. Beyond those, the designers worked some body-hugging mesh numbers that were a nod to Versace.

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