Glenda Bailey Marks 10 Years at Harper’s Bazaar

The editor in chief looks back at her reign and prepares to publish a coffee-table tome of some of the magazine's best photos.

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For instance, she coaxed William Klein back into fashion photography. “I went to see him for three years, to try and talk him into working with Bazaar,” Bailey recalled. “He hadn’t done fashion work for 40 years. One day he finally agreed.” What made him change his mind? “He’d been serving me the same cookies for three years and they were stale. He knew I wasn’t going to leave him alone.”

When she talks about Bazaar it’s like she’s talking about her baby, a magazine she’s nursed for 10 years. “I came in with creative solutions,” she said, ticking them off in a seemingly well-rehearsed litany: “I was the first person to begin doing a subscriber cover. We were the only magazine to go backstage after Yves Saint Laurent’s last collection. Tom Ford gave us the magazine exclusive on leaving Gucci. Stefano Pilati gave us his first interview. Susan Orlean interviewed Martha Stewart for her first interview after the ‘incident.’”

In addition to Orlean, Cathy Horyn, Suzy Menkes and Candace Bushnell have contributed. She also called upon famous friends including Rita Wilson, the actress and wife of Tom Hanks. “She asked me to write about the collections in Paris,” Wilson recalled. “I was spending the summer in Paris. I said I’d never written before and had no idea how to even begin.” Wilson is now a regular contributor.

Bailey has no interest in publishing a high-minded, pretentious fashion magazine, calling the idea of it “old fashioned.” She wants to bring fashion to the masses and make it fun and accessible. Cases in point: she’s shot Karl Lagerfeld as a rap star, Giorgio Armani as Fred Astaire, and put the Simpsons in a fashion spread.

“She’s a very serious woman but she’s not boring,” said Della Valle, Tod’s chief executive officer.

“Glenda loves fashion and Bazaar is traditionally a real fashion book but she’s also glued into pop culture at large,” added Michael Kors, who’s known Bailey for more than 20 years. “She’s got her ear to the ground and she always seems to know what’s next.”

But her own future at the title is one that has been bandied about in the press for years. It seems that whenever an editor leaves a competing publication, in the U.S. or abroad, that name is floated as a successor to Bailey at Bazaar, from Carine Roitfeld to Bailey’s colleague Lucy Yeomans at Harper’s Bazaar UK. The speculation has been particularly rampant over the last few months.

“Any editor at the top of their game has to deal with that,” Bailey said, dismissing the rumors. “It would be naïve to believe everything you read about yourself in print. I just laugh it off.”

On Monday, Hearst president David Carey once again denied the reports. “That was a bad piece of journalism,” Carey said, referring to a WWD report that questioned Bailey’s future. So there is no truth to these rumors? “Like I said, it was a bad piece of journalism. When you work on the 44th floor of a big building like this, it comes with the territory.”

The rumors may have picked up again for a few reasons, not the least of which is the newly crowded fashion magazine field at Hearst after the acquisition of Elle and the arrival of its editor in chief, Robbie Myers. Then there is the naming of Carol Smith as Bazaar’s publisher, succeeding Valerie Salembier. Luxury fashion titles have been on an advertising roller coaster the past few years and Bazaar is no different. It was down 26.3 percent from 2009 versus 2008 and up 17.8 percent last year, compared to 2009. During the first quarter of 2011, Bazaar was down 11.3 percent, according to Publishers Information Bureau and for the first half of this year, it’s down 5.4 percent, according to Media Industry Newsletter. Smith has been at Bazaar for less than a month and said March will be her first issue. “We didn’t know each other before and if she did know me, it was from stealing pages from her,” Smith said of Bailey. “Or trying to. But I’m here now to help her take this into her next decade.”

The first decade will soon be recapped in the form of a coffee table book, “Harper’s Bazaar Greatest Hits,” that Bailey laboriously edited herself last summer while staying at a rented house in the Hamptons. It’s broken down year by year, from her first cover (Gwyneth Paltrow) to the many zany fashion shoots, along with plenty of models. In September, several images from the book will on display at the International Center for Photography, followed by an international and U.S. road show that will see events in London, Milan and Paris, as well as five U.S. cities. The book’s publisher, Abrams, is printing 20,000 copies, quite an aggressive plan for a coffee table book.

After poring over the book, Bailey declines to pick a favorite image. Instead, she’s focused on the future, not the past. “I’m looking forward to new opportunities,” said Bailey, and then makes a surprising admission for an editor in chief of a major fashion magazine: “I’m still learning. You know, the American sensibility is different. In Europe, sex sells. In America, it’s hair.”


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