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OLD IS NEW AT INTERVIEW: After a springtime of transition, Interview will unveil a thorough makeover in the September issue with a new logo, layout, paper stock and trim size and even a special foil and ink-treated cover. And if readers still don’t pick up on the improvements, the phrase “It’s New, Pussycat!” emblazoned on the cover should do the trick.
“The best description here is not a repositioning of the magazine,” said Brant Publications chairman Peter Brant, who in January purchased the remaining share of the company owned by his ex-wife, Sandra Brant. “The magazine has a great history and we want to stay as close to that history as possible. But what we’re trying to do is to make it more elegant to suit who we think the reader and advertiser are, and make it more perfectly put together in design so it has more value.” The result is an overall richer-looking magazine with a cleaner layout.
Editorial director Fabien Baron said Interview, launched nearly 40 years ago by Andy Warhol, reflects how magazines can be a higher-quality counterpoint to the “throwaway products, reality TV and point-and-shoot images” that are present in media today. “It’s time for a magazine to have well-executed visuals to counterbalance the culture of point-and-shoot,” he said. “Quality needs to be put into magazines today, otherwise there will be no reason for magazines to exist.”
The new Interview team, including co-editorial directors Baron and Glenn O’Brien, creative director Karl Templer and Interview editor in chief Christopher Bollen believed the magazine’s focus on high-end photography and in-depth conversations with creative innovators gives it staying power.
“It comes back to the idea that there have always been certain titles that people have collected, not just use a magazine for a month and then throw out, but have actually kept,” said Bollen. “We thought about Interview as one of those magazines.”
September is the fashion issue. Photographers who contributed to the issue include Mikael Jansson, Craig McDean and David Sims. Mert Alas and Marcus Piggott shot Kate Moss for the cover, the first time the duo has worked with the magazine. Moss is interviewed by O’Brien, as is painter James Nares. Conversations between writer-directors Woody Allen and Doug McGrath, and Yves Saint Laurent creative director Stefano Pilati and art critic and curator Louise Neri are also included.
“If you look at Interview from the Eighties, there was a broad range of subject matter. We’re trying to expand our palate in terms of the people we’re interviewing,” said O’Brien of a time when, coincidentally, he was a contributing editor and columnist for the title before Sandra Brant and former editor in chief Ingrid Sischy took over. “[We have] Maison Martin Margiela interviewed by Joseph Kosuth. So it’s the father of contemporary conceptual art interviewing the father of conceptual fashion.”
The magazine added new sections, including Capture, where stylists and photographers capture on-the-fly images on their cell phones; Agenda, a news page; a home section, and the Interview Back Page, a flashback to articles from the archives. The first is an interview with Christy Turlington when she was 16 years old.
An enhanced Interview.com site, complete with audio and video interviews and an archive of content dating back to when Warhol was alive, will launch in October.
All the changes don’t come cheap, though: The magazine will increase its cover price to $3.95 from $3.50, although it’s also expanding its distribution by increasing its draw by 30 percent in the U.S., and adding 450 newsstands, or double its previous number, in the U.K. Colette in Paris started carrying the title this summer, and will promote the September issue in the stores with windows and merchandising.
The September issue, which hits newsstands on Aug. 26, carries 142 pages of advertising from clients including Rolex, Raleigh Hotel, Chanel, John Varvatos, Graff, HBO, Michael Kors and Missoni. French Connection bought the back cover. Andrea Hyde, president of French Connection Holdings Inc., said Baron, whom French Connection has worked with in the past, was compelling enough to be a part of the magazine’s fashion issue. The June-July and August issues may be indicative of the buzz the revamped Interview is generating — those issues, the first the new creative team oversaw, were Interview’s best-selling issues in the past 10 years. Interview has an average circulation of 221,000. — Stephanie D. Smith