Bravo, Alber Elbaz. The designer has struck a nerve with his fashion, championing a kind of womanly glamour that is both voluptuous and reality-friendly.
Hannah MacGibbon honed in on Chloe's signature girlish naivete in daywear done up with scalloped details, sweetheart necks, bows and broderie anglaise.
The flush times of Eighties Nouvelle Society look pretty good right now. And if living the life isn't an option, dressing the part is, thanks to Lacroix.
"Tribal Chic," was the theme for Galliano's Christian Dior show. Once upon a time, that might have meant an over-the-top costume affair. But not this season.
Who says sexy girls can't be "mathletes"? Not Donatella Versace, who closed the Milan season with an appealing, sassy collection that was all about geometry.
Leave it to Dan and Dean Caten to inject a little Studio 54 sizzle in a rather quiet Milan season.
Opening and closing the show with a supermodel trio.
In hard times do you opt for discretion or go for broke? Make that Baroque, and directed at Domenico Dolce and Stefano Gabbana, the question is rhetorical.
Yes, the Seventies live on here chez Missoni. But don't jump to any Studio-54/"Saturday Night Fever" conclusions. This was a gentle, rather mellow outing.
What is up chez Cavalli? The former jungle lothario has moved out of the wild and into more civilized territory. And he’s a bit of a bull in a china shop.
Finally a little pizzazz, Italian style. Consuelo Castiglioni delivered a giant jolt of energy and a kooky cartoony aura to an otherwise calm Milan moment.
This was the Armani of old - read signature, not dated - before his innate chic pragmatism cross-pollinated with increasingly exaggerated elements of exotica.
On its 40th anniversary, Francisco Costa gave the house a reason to celebrate the here and now, with a show that infused futuristic edge with unlikely serenity.
Good vibrations, as the soundtrack heralded again and again? Absolutely. Michael Kors is New York’s most upbeat designer, and spring reflected his ebullience.
Hello, Claiborne cash! Bye-bye, show-in-the-showroom! Hello, fancy Eliasson-inspired lighting at the Hammerstein Ballroom! Change is afoot at Isaac Mizrahi.
Saunders' neutral-toned fall lineup now seems like a palate cleanser; it was only a matter of time before he returned to his splashy kaleidoscopic self.
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