Prior to Dolce’s handiwork, hairstylist Eugene Souleiman had rolled and pinned the hair, with a side part in a “form that is like the inside of a shell or figure of an eight.”
To match the hair with her version of bedroom eyes, Pat McGrath interpreted the makeup look in a soft, romantic light. Shades of brown were blended on the eye and then topped with a brown pencil liner extended out into a wing, with false eyelashes and sweeps of mascara.
McGrath added a silver shimmer powder in the corner of the eyes, on the cheekbone — and a dusting on the cupid’s bow.
“It’s stunning,” said McGrath of the look, “it’s a new natural smoky eye that’s really softened down because of the color we are using.”
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