This season, the Roberto Cavalli man is a rebellious, globe-trotting hunter/rocker, roaming around in tartans and Navajo prints — and never meeting a pelt he doesn’t like. So far, the designer takes the prize for the most elaborate stage set, a grand hacienda, carpeted in fur. The whole display was hard to reconcile with the Cavalli’s intent. “We were exaggerated, it was too much,” he said of  the past. “Change is right. There were too many fake rich people. Now we are returning to the real rich.”