Douglas Hannant tunic. Jennifer Ouellette feather headband, Erickson Beamon ring and Genevieve Jones bag.
Photo By Talaya Centeno
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Ticia Agri, who was the assistant to Woodstock producer Michael Lang and 24 at the time, recalls precisely what she wore. “Working, I wore jeans — there were only one or two brands back then — a halter top, a hat to keep the sun and rain off my face, given to me by Joyce Mitchell [a fellow staff member] and a man’s watch and cowboy boots,” she says. “During the three days I might have added a shirt.” Agri, who is played by Mamie Gummer in the upcoming Ang Lee film “Taking Woodstock,” is now a meditation teacher and Rolfing therapist in New Hampshire (a post-Woodstock career if there ever was one). She says that the clothes she wore in those years have been “gleefully” recycled, not in some SoHo vintage store but by her daughter, who discovered her tie-dyed pieces in the attic.
Further proof that, at this festival, the clothes set a casual movement in motion. And the Woodstock fashion beat goes on.
STYLED BY ROXANNE ROBINSON-ESCRIOUT AND KIM FRIDAY; PHOTOGRAPHED BY TALAYA CENTENO AT BRIDLE HILL FARM, JEFFERSONVILLE, NY; MODELS: BETTINE AND HEIDE LINDGREN AT MUSE, KELLEY LYNCH/ROCKET GARAGE, ADAM CRIGLER/MAJOR AND WILL LEWIS/RED; HAIR BY SEIJI FOR TRESEMME; MAKEUP BY TALIA SHOBROOK AT THE WALL GROUP; PHOTO ASSISTANT: SUSANNA PATRICK; HAIR ASSISTANT: NAOKI OKAYASU; FASHION ASSISTANT: LANI TIBERGHIEN; ACCESSORIES ASSISTANT: ELISSA ROBERTS
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