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Flamenco, bullfighting, the Moors, Eva Perón, Zorro and the rock ’n’ roll edge of Juliette Lewis. That’s quite a mouthful, but unlike last season’s muddled show, Phillip Lim worked all of these points deftly, making for a beautifully spirited affair. The Zorro influence, for example, came through via languid drapes, twists and folds. Meanwhile, the fabulous accessories (ruffled heels, polkadot bags) and overall romantic mood reflected the flamenco motif. There were gentle ruffles and tiers aplenty on everything from mannish blazers to sequin tops. As for the opening matador vest, no explanation necessary. And, aside from a few overly zippered frocks, it was all executed to a nonchalant and, at times, prettily tomboyish effect. Case in point: the pink organza “sweatshirt” tossed casually over a ruffled mini.
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