Recent Posts
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WWD Postcard: Rafe Totengco
POSTED 4:12PM ET | Nov 19 2009 -
Miller Time
POSTED 9:43PM ET | Nov 10 2009 -
Pots O' Gold
POSTED 10:12AM ET | Nov 9 2009 -
Designing for Dancing Stars
POSTED 9:57AM ET | Nov 9 2009 -
Hints of Better Days Ahead for NYC Retail
POSTED 6:03PM ET | Nov 6 2009 -
Mind Games With 'Idiot Savant'
POSTED 4:48PM ET | Nov 6 2009 -
Rear Window with Illustrator Matteo Pericoli
POSTED 5:02PM ET | Nov 5 2009 -
Testing the 'American Fashion Cookbook'
POSTED 7:13PM ET | Nov 2 2009 -
Night Rider on Broadway
POSTED 6:21PM ET | Oct 30 2009 -
Women and Changing the World
POSTED 5:11PM ET | Oct 29 2009
photo by Stephane Feugere
Diltz, rock photographer supreme and owner of the fine-art photography Morrison Hotel galleries, has been on the phone more times than he can remember in the past two months, bombarded with calls from Japanese magazines, German documentary filmmakers, and eight book authors. "Now, the newspapers are calling me," said Diltz, 70, who was the Woodstock Music and Art Fair's official photographer by way of his friend, lighting director Chip Monck, whom he knew from his days playing banjo on the college circuit around three years earlier.
Credit: Dan Graham and Hauser & Wirth, Zurich; London
Feelings of anticipation arose within as I crossed the threshold of a two-way mirrored pavilion, "Girl's Make-Up Room." It's one of Dan Graham's glass and perforated metal, large-scale pieces in the conceptual artist's first ever career encompassing show in the U.S., "Dan Graham: Beyond," which is up at the Whitney Museum of American Art. How would I see myself in the mirrored and metal reflective surfaces? How would I perceive other people? How would others see me?
Much as fashion and make-up afford ways in which people show themselves to the world -- and can be seen by others -- Graham's eye-popping sculpture-and-architecture as art tosses back images of one's self, images of others milling about the Whitney's expansive fourth floor gallery, and the occasional look at another visitor looking back at themselves in the pavilion's facade.
When two guys on the Lexington Avenue IRT start griping about how it's taking upward of $100 to fill up their SUVs, you know there's something going on out there. But when such concerns start rattling the nerves of Park Avenue millionaires, it prompts the question of exactly how far-reaching and long-lasting the growing threat to the country's prosperity might be.

