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Now that the fashion dust has settled in New York, London, Milan and Paris and one at last begins to recover from the exhausting blur of thousands of garments, one can take stock. What is it all about? What does it all mean?

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Sometime after the World Economic Forum scrum, Billionaire Husband and I got to talking about the lousy amenities at the Steigenberger Grandhotel Belvedyre in Davos (the hard, European-size mattresses, for instance) and the silly village rule that allows no salt on the wintry roads. (Thus, we got to see the president of Liberia slipping along the Guggerbachstrasse before dinner. I mean, the woman has hardly ever seen snow. You'd think for this one week they'd relax their uptight Swiss-ish-ness and treat the sidewalk, so that Mme Sirleaf wouldn't break her neck.) But mostly we talked about the idea of inequality.

01-flappers.jpgWhat qualities do Josephine Baker, Zelda Fitzgerald, Tallulah Bankhead, Lady Diana Cooper, Nancy Cunard and Tamara de Lempicka all share? They were all prominent in the Twenties and are the subjects of an intriguing new group biography, "Flappers: Six Women of a Dangerous Generation" (Sarah Crichton Books/Farrar, Straus and Giroux) by Judith Mackrell, who is the dance critic of The Guardian. Mackrell's previous book, her first, was 2008's "Bloomsbury Ballerina," the story of Lydia Lopokova, the former Ballets Russes dancer who married the celebrated economist John Maynard Keynes. 
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