"Sue Mengers -- you know, the ex-superagent -- called and said, 'Dye your hair back to red, you're starting to look mousy!"' she says as she pulls at her brown locks and laughs.
Ringwald is hardly mousy. When she opens her coat, an hourglass figure is revealed. But she's not totally at ease with her curves. "I'm jealous of all the waifs because I'll never be one," she says. "The funny thing is, I couldn't be further from them; I love to eat and drink."
And asking the waiter for red wine, she shows off the smile that's moved men from the late Kurt Cobain (whose song "Kiss, Kiss Molly's Mouth" was inspired by her) to Warren Beatty. Paris appeals to Ringwald's sensibilities these days. In Hollywood, she was no longer the fresh-faced teenage idol, and she wasn't succeeding as a grown-up actress. She'd decided to sell her Mulholland Drive house and move to New York or Seattle, when the chance came up to work in France on a TV movie called "Face the Music." She grabbed it.
Two months later, Ringwald fell madly in love, which confirmed her impression that "the gods were wanting me to stay in France." The gods' gift was 30-year-old journalist Valery Lameigniere, a writer with a passion for bullfighting with whom she now shares an apartment in the Marais district. Scripts are coming in, and the film "Seven Sundays" -- a film shot in Florida with Rod Steiger and Thierry Lhermitte -- comes out in September.
Still, as far as her career is concerned, she is listening to Mengers. "She convinced me that I have to move back to the States part-time -- but not until September," insists Ringwald. She missed last summer in Paris when she was shooting the big-budget Stephen King mini-series, "The Stand," which cost over $28 million, and took over 100 days to shoot. (It begins its four-part airing on ABC this Sunday.) Ringwald plays a woman immune to the virus that decimates the world.