Twenty years later, he’s still learning, but now he uses an electronic set with headphones. “It’s not that I intend to play [professionally]. I’ve just always loved drums,” Slimane explains. “But I just don’t have so much time to do these things.”
Slimane’s a busy guy. This week, he will be in Manhattan to see the opening Sunday at P.S. 1 of “Hedi Slimane: Berlin,” a collection of photographs from his book published by D.A.P. in January. While he’s in the neighborhood, he’ll celebrate the new Dior Homme store on 57th Street, which opened last month, with a party Wednesday night in West Chelsea, where Sonic Youth will perform.
“Taking pictures has always been a natural way to capture my daily routine,” says Slimane, who discovered cameras before the drums, at age 11, “though the pictures I took then are not so different from the ones I’m taking now.”
The installation at P.S. 1, which was previously in Berlin and will soon move to Tokyo, comprises a white cube in a big white space upon which Slimane’s images of opaque architectural interiors, bleak environmental shots and young, shirtless men are projected in slow motion. “It’s like a cinematographic effect,” Slimane explains. The images illustrate the counterculture he fell upon in Berlin during a residency at the Kunst-Werk Studio from 2000 to 2002, as he shuttled back and forth from Paris. “I was a stranger documenting the city.”
Slimane has lately been dressing a lot of rockers and his interest in music (and the fact that he has a lot of friends in the industry) led him to a new project: a book of photographs called “Stage” that D.A.P. will release this fall. (He also recently photographed the latest album cover for the French band Phoenix, which Sofia Coppola featured on the “Lost in Translation” soundtrack.) For three years, he’s followed “lots of different generations” of bands, from The Thrills and The Kills and The Libertines to David Bowie and Blondie.