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French Twist

A visit with Chiara Mastroianni.

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Chiara Mastroianni

Chiara Mastroianni

Photo By David Turner

NEW YORK — Though she’s a star in France and has paparazzi bulbs there flashing overtime, Chiara Mastroianni glides among the late morning cappuccino drinkers in the lobby of the Hudson Hotel causing little more than a passing glance.

While the actress is the daughter of the screen legends Marcello Mastroianni and Catherine Deneuve, few in the United States — and certainly no one in the Hudson this morning — seem familiar with her work. In France she has been a successful actress for more than 10 years, working with such directors as Claude Lelouch, André Techiné, Manoel de Oliveira and Raoul Ruiz (she portrays Albertine in the latter’s adaptation of Proust’s “Time Regained”). Recently, Mastroianni came to New York to fulfill her role as the international face of Jean Patou Paris’s perfume Enjoy.

Of course, in France Mastroianni is as famous for her iconic lineage as she is her acting. At her wedding in 2002, where she wore a simple dress by Prada, Mastroianni and her husband, musician Benjamin Biolay, officially became one of Paris’ chicest couples. The two have a six-month-old daughter, Anna, and Mastroianni has a 7-year-old son, Milo, whose father is sculptor Pierre Torreton.

Playing a small part as Kim Basinger’s assistant in “Prêt-à-Porter” gave Mastroianni some momentum in Hollywood, but she has resisted the temptation to cross over à la Audrey Tautou or Ludivine Sagnier. (She also had roles in Gregg Araki’s “Nowhere” and Mike Figgis’ “Hotel.”) “I love the English and American cinema,” she explains. “But I love it like a member of the audience.”

Most recently, she appeared in the French film “Carnage,” which has been touring U.S. film festivals and art-house theaters since March. Appropriately enough, she plays an actress, one of many characters linked by the remains of a slaughtered bull. “It’s a bit surreal but you have to accept it,” she says. “It’s not a macabre film, though. It’s funny.”

“Carnage” marks a departure for Mastroianni, who usually chooses dramatic roles. “Usually in a funny scene, I would always be the one who comes and breaks the fun,” she says. “But I would love to do another comedy — it’s just difficult to find a good one.”
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