"The baton has been passed over to Nicolas Ghesquière so beautifully," Connelly pronounced about the exhibition, which spans the almost 70 years since Cristobal Balenciaga set up shop in Paris.
Even men had an opinion on the clothes. "I particularly liked the looks from 1939; they were very severe," said Hugh Grant, who was accompanied by Jemima Khan.
"It was interesting to see all the stages where Nicolas Ghesquière got his inspiration," said Cheung, who is featured in a mini fashion film in the exhibition. "It is always interesting to look at history. The juxtaposition of modernity with tradition exemplified the extremity of Balenciaga."
And that's exactly what Ghesquière set out to showcase.
"I wanted to put Balenciaga in a very contemporary environment," said the designer, who's no fan of historical decor. "The high-tech elements were very important."
No wonder the mannequins for Ghesquière's designs are otherworldly droids with flashing eyes, turning the tables on the spectators. Even Balenciaga's designs are set in a "galactic landscape," blasting them back to the future. Ghesquière tapped artist Dominique Gonzales-Foerster and lighting expert Benoit Lalloz to realize his extraterrestrial vision. The trio faced certain restrictions, including the fact that lighting had to be kept low so as not to harm historic garments. Still, it all adds up to a transporting experience up to and including a case that resembles a teleportation scene from "Star Trek."
As for the clothes, Ghesquière said visitors should discover that Balenciaga, often associated with austere and black designs, had a colorful side, too. Mustard yellow, fuchsia, and offbeat violets and greens are all on display, along with Balenciaga's three recurrent prints: polkadots, stripes and florals. One red dotted dress and cape, awash in ruffles, resembles a ladybug.