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The camera sweeps through the streets of Los Angeles during the opening title sequence, down Wilshire Boulevard, through Beverly Hills, right through the front door of Saks, dodging customers in the bustling cosmetics department and up through successively less-populated floors until it finally arrives in the glove department, where a bored-looking Danes daydreams the afternoon away.
“We’re trying to create a lonely, dream-like space,” says production designer William Arnold, who took 10 days to transform the men’s designer department into a grand ladies’ salon of old, repainting and repaneling the dark space and filling it with mannequins wearing evening dresses by Oscar de la Renta, Badgley Mischka and Bob Mackie, among others. The men’s department was chosen in part because of the magnificent Regency chandelier, dating back to the store’s I. Magnin days and the filming of “The Women.”
For what seems like the millionth time, Danes shifts her position and again stares dreamily into space, until she’s finally allowed to take a break and perches in a director’s chair to work a crossword puzzle. “It’s the perfect on-set activity,” she says, twirling her pen in the air. “But now I’m finished with it and I don’t know what I’m going to do with the rest of my day.”
Danes picked up “Shopgirl” while she was in Denmark a couple of years ago and fell in love with the story instantly. “I zipped though it, and found it thoroughly engaging, even though Steve modestly describes it as an easy read,” she says.