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Condé's Night at the Opera

A healthy sampling of Ferragamos, Zegnas and Missonis joined a battalion of Condé Nast brass for a performance of opera classics on Wednesday night.

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Anna Wintour

Anna Wintour

Photo By Davide Maestri

La Scala Patrizio di Marco Frida Giannini

Patrizio di Marco and Frida Giannini

Photo By Davide Maestri

La Scala Karolina Kurkova

Karolina Kurkova

Photo By Davide Maestri

Alberta and Massimo Ferretti

Alberta and Massimo Ferretti

Photo By Davide Maestri

POWER CROWD AT THE OPERA: La Scala has rarely seen a more fashionable— and powerful — audience.

Giorgio Armani, Prada’s Patrizio Bertelli, Stefano Pilati, Diego Della Valle, Alberta Ferretti, Renzo Rosso, Roberto Cavalli, Frida Giannini and a healthy sampling of Ferragamos, Zegnas, Missonis and Marzottos were among industry heavyweights who joined a battalion of Condé Nast brass for a bespoke performance of opera classics by tenor Vittorio Grigolo on Wednesday night.

The musical moment punctuated a day when the American publishing company unveiled a new initiative to boost Milan as a fashion capital, teaming with five prestigious Italian universities to present five students with academic scholarships in fashion, film, art and journalism.

Speaking at a noon press conference at the historic Accademia delle Belle Arti di Brera, considered a symbol of Italy’s fine arts heritage, Condé Nast chief executive officer Charles H. Townsend noted that Italy’s rich artistic tradition was unique, and closely aligned with the focus of many Condé Nast titles.

“It’s part of our DNA, the relationship with the Italian fashion community,” he said. “The well-being of this community is critical to us. And you know, this is a very difficult time. While five scholarships won’t change the world, they certainly touch the lives of five people in disciplines that are near and dear to us.”

“For me, this scholarship is of inestimable value,” said Diego Salerno, recipient of the Vogue Women’s Fashion scholarship, which will allow him to begin a three-year undergraduate program at the Milanese Istituto Europeo di Design.

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Anna Wintour, Condé Nast artistic director and U.S. Vogue editor in chief, who handed Salerno his award, noted the publishing group had a “huge tradition” of supporting international young talent.

“We feel that there is a real sea of change going on in Milan,” she said, praising the leadership of the Camera della Moda — with whom Wintour has clashed openly in recent years, usually over show scheduling. “I think that the Italians are thinking less as individuals and more as a community.…We all have to understand that we all work in the same business and we all need to support each other.”

The GQ Men’s Fashion scholarship went to Alberto Furlan, who will pursue a two-year master course at the IUAV University in Venice, and the Vanity Fair Film scholarship was awarded to Francesco Fanuele, who will study at Rome’s celebrated Centro Sperimentale di Cinema.

Stefano Meli received W’s Art scholarship for a two-year master course at the Brera academy from W editor in chief and Italian native Stefano Tonchi, while Marisa Eleonora Labanca took home The New Yorker Journalism scholarship for a master course at the University of Urbino.

“I really believe in Italy,” Labanca said. “It’s my country and it would be incredible to work for a publication here.”

“We want to help journalists everywhere, journalism is a little bit under question,” observed New Yorker editor David Remnick, adding: “Real journalism requires knowing things, real apprentice work.”

“When I saw those kids up there, I thought: This is a great thing to do. Hopefully we’ll do the same thing in America,” said Vanity Fair editor in chief Graydon Carter. “It’s tough being a kid and trying to make your way in any one of these fields.”

Before the “One Night, One Voice” performance at La Scala, Townsend cohosted a cocktail at the legendary theater with Jonathan Newhouse, chairman and ceo of Condé Nast International. Newhouse was flanked by Wintour and Vogue Italia’s Franca Sozzani, who’s functioning in the role of Milan’s chief cheerleader amid her visiting American cousins.

“Italy is going to improve as it follows the U.S. economy and it’s showing signs of sustained recovery,” Townsend noted at the cocktail. “The German elections are critical, and Italy should play a more significant role in Europe. Change is necessary.”

“When Milan sets its mind on something, it knows how to do it right,” Armani said as he took in the crowded venue: “Such high-profile people, the location, smiles all around —and it managed to get me out of my lair, where I’ll return in an hour.”

“I’m in love with Milan. In daily life, there’s a quality that is unmatched,” enthused Rochas designer Marco Zanini, whose treasured routines include an “aperitivo” at Cucchi around the corner from his apartment.

Up-and-coming talent Fausto Puglisi, a Sicilian who also designs Emanuel Ungaro in Paris, lamented that the Italian fashion capital can be provincial, and is not the easiest place to work. “Now Milan needs people that really love Milan,” he said.

As for past battles with Wintour, Mario Boselli, head of the Italian Chamber of Fashion, suggested a warming trend, noting the association has “changed, but all have taken a step forward in the same direction.”