Women’s Wear Daily
04.17.2014
fashion
fashion

'Sex and the City 2': From Downsizing to the Desert

Sex and the City 2 is generating plenty of hoopla. Costumer Patricia Field outfitted Sarah Jessica Parker in piles of Halston dresses.

By
with contributions from Taylor Harris
fashion/news
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A Still from Sex and the City 2

A still from "Sex and the City 2."

Photo By Craig Blankenhorn/Warner Bros.

A still from "Sex and the City 2."

Photo By Craig Blankenhorn/Warner Bros.

A still from "Sex and the City 2."

Photo By Craig Blankenhorn/Warner Bros.

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Between the trailers, the teasers, and the endless “Access Hollywood” countdowns, the only thing audiences won’t already know about “Sex and the City 2” when it hits theaters May 27 are a few particulars of the plotline, which, as everyone knows, includes a big gay wedding of MGM studio proportions (Liza!) and a Middle Eastern getaway fit for a sultan during which — no surprises here — Carrie runs into Aidan.

There hasn’t been this much hoopla surrounding a movie since, well, “SATC” two years back, when there were still waiting lists for Birkin bags. In the meantime, the New York luxe life has been chastened. But a sequel in which Carrie, the ultimate shoe monger, is shod by Payless? Downer.

“I knew [‘Sex and the City 2’] had to be a different vibe,” said the film’s writer-director-producer Michael Patrick King at a press conference held Sunday at Bergdorf Goodman’s shoe salon. “I sat down to write in what was the beginning of an economic downturn, and we’re still in it. Like in the Great Depression, I thought Hollywood should take people on a big vacation that maybe they couldn’t afford themselves. I wanted to make it a big, extravagant vacation.”

So King wrote in a Middle Eastern sheik-hotelier, who offers Samantha, plus three, an all-expenses-paid trip to Abu Dhabi, since “Dubai is dead,” as the sheik says. The entire scenario, from the fleet of white Maybachs that chauffeur the girls around (one for each) to the hotel’s personal butler system, is devised to flaunt offensive wealth. If the film is fashion porn, as The New York Times suggested last time around, this would be the money shot. Every meal, every nap, every cocktail is an excuse for a wardrobe change. One desert lunch scene involves three new outfits per character — if ever there were an excuse to put that harem pant and jumpsuit trend to work.

Costumer Patricia Field wasted no chance to beturban and bejewel the ladies to cartoonish extremes, which is by now par for the course. And King seized every opportunity to play on the cultural divides (and unifiers) between the way American and Middle Eastern women are expected to dress. In his world, the women of Abu Dhabi wear Vuitton under their burkas.

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